Evie Ladin grew up playing clawhammer banjo and clogging at music festivals all over the East Coast with her sister Abby. Her family home was a hostel for musicians and dancers traveling from the South during the Folk Music Revival of the early 70’s and 80’s. John Cohen of the New Lost City Ramblers first put a banjo in her hands at age 8, then she took lessons from Bob Carlin for several years. While she explores the depths of the instrument in support of her songwriting, rowdy jam sessions, square dances and fiddlers conventions of the Southeast US have had deep influence on her rich old time repertoire, and the development of her style. She is an adept teacher at any level, and loves teaching one-off themed workshops, and at music camps and festivals.
Evie teaches three ways…
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“I really enjoy the “response playing” in your lessons. It helps me get the tune. Great course! Thoroughly enjoying it and learning how to play.”
“I’ve been thoroughly enjoying your course for the past several months. In addition to learning the particular melodies for each tune, I like the way you manage to convey some basic and transportable techniques and riffs that can be applied to backing up and filling on other tunes, as well.”
“You’re a really fine teacher Evie. So appreciative of your lessons. Have attended a few banjo camps with really great teachers, professional musicians like you, but you really keep me inspired and playing for at least an hour most every day! Your lessons are clear, progressive, jam packed full of options for beginners and onward. And, I’m finally learning by ear and rarely if ever look at your well constructed tune tabs. I see now how learning a tune by ear from the get go makes it so much easier to pick up and remember. The only problem is sometimes those tunes stay in my head for days even when I’m not playing! And no disrespect to all the great guys I’ve had lessons with, but it is so nice to learn from such a strong, accomplished, clawhammer queen! Love the tunes you choose to teach too.”
“Evie ladin is a “godsend” to the banjo playing instruction world. The overflow of bluegrass musicians are abundant to all. Yet an engaging practical instructor in clawhammer of this kind is a rarity. May her tribe increase!!!”