Artistic Director Evie Ladin’s body music choreography (harmony singing, body percussion, rhythm dance), illuminates the maddeningly recurrent struggles of modern women, and the country, with intention, humor, and connective rhythm. We put water on to boil when we organize, commiserate, work, celebrate, refuel. The multigenerational ensemble – women raised by feminist mothers, still fighting the same fights – harmonizes over polyrhythmic body music, “I just might soak it up and some.” Couched in the context of traditional Appalachian and related songs overtly reconnecting with African-diaspora rhythmic systems, MoToR/dance elucidates the political complexity of foundational American culture. Put some water on, we have a lot to discuss.
The performers demonstrate a virtuosic command of the interplay between physicality, rhythm, and musicality to poke, prod, interrogate, and propose perspectives on what it means to be a woman—often with a delightful dose of dry humor
– Molly Rose-Williams, Life As A Modern Dancer
For the best viewing experience, immerse yourself in the arc of the show in one sitting, ideally on a large screen. WATER IN THE KETTLE was created for intimate live performance, and we are gratified that Dean Bosche/Outdoor Film created this beautifully edited film from the Sold Out World Premiere at Rhythmix Cultural Works, Alameda, California, February 2023. The film brings the viewer into the room so that those outside the San Francisco Bay Area have access to the work.
MoToR/dance is Evie Ladin, Valerie Gutwirth, Keira Armstrong, Tammy Chang, Kristen DeAmicis, Heather Arnett, and Sydney Lozier. With JJ Hansen, Cynthia Mah, and Linda Carr; and musicians Amber Hines (Percussion) and Lisa Berman (Banjo, Dobro).
